Flash Fiction Prompt: The Storyteller

Below is “The Storyteller,” a flash fiction prompt by Writers.com instructor Barbara Henning from her forthcoming The Prompt Book. Enjoy it as a jumping-off point for your creativity!

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Think of a story that someone told you, maybe when you were growing up. Or retell a story that you have told others. Let the voice of the storyteller seem spoken rather than written. Try to retell the story without a lot of explaining, just what’s necessary to keep the attention of the listener/reader. If your story is in the first person, focus on the event and the other characters, more than the narrator. Even if the narrator doesn’t announce herself inside the story, there is this sense of a person telling a story rather than an absent narrator. Be sure that you include particular details or images.

Barbara's Upcoming Courses

Poetic Prose: The Prose Poem

September 3rd, 2025

Explore the border between prose poetry and flash fiction. For writers of fiction, poetry, essay and memoir.

Flash Fiction: Writing the Short-Short Story

November 19th, 2025

Write 1–3-page flash fiction in this online course with Barbara Henning, drawing on classic, poetic & experimental elements. Read the form’s masters.

The Watching Eye/Thinking Mind: Writing Flash Fiction

February 4th, 2026

In this ten-week workshop with poet and novelist Barbara Henning, write tiny fictions while experimenting with first and third person points of view and analyzing how point of view affects the craft of fiction writing. Barbara will provide practical instruction and assignments, suggestions for revision, and lectures and and articles.

The Poetic Memoir: Writing Mini Chapters of Poetry, Flash, or Prose Poems

April 22nd, 2026

Begin crafting a memoir in ten mini chapters of poetry, prose poetry, or flash. Shape vivid, lyrical narratives that shine with clarity and emotional depth. 

Background and Examples

In Sherwood Anderson’s book Winesburg, Ohio, the stories are about characters living in a fictional Midwestern town in the early 20^th Century; it was published in 1919. While Anderson doesn’t write short-short fiction, you can learn a lot about story writing by reading his work. While William Carlos Williams was calling for poems and stories about ordinary folk in Patterson New Jersey, in the ordinary rhythms of American English, Anderson was seeking something similar in stories:

There was the language of the streets, of American towns and cities, the language of the factories and warehouses where I had worked, of laborers’ rooming houses, the saloons, the farms.

It is my own language, limited as it is. I will have to learn to work with it. There was a kind of poetry I was seeking in my prose, word to be laid against word in just a certain way, a kind of word color a march of words and sentences, the color to be squeezed out of simple words, simple sentence construction. . . . They [his stories] were simple little tales of happenings, things observed and felt. (13-14)

A more contemporary fiction writer, Bobbie Louise Hawkins was known among the poets, especially in the Kerouac School for Poetics at Naropa University, as a storyteller–on the telephone, on stage and on the page. Stories were always rolling off her tongue. When I interviewed her in 2011, we talked on the telephone for hours at a time; Bobbie told one story after another. The interview is laced with stories about her family, lovers, the news, etc. Parts of it are available on the internet. See the link below in “Notes.”

Hawkin’s flash fiction, “Dale Herd’s Found Quarter” is short, concise and told with a storyteller’s voice. You can find these stories everywhere, on the street, on the kitchen counter or in your texts. Keep a notebook with you at all times.

Dale Herd’s Found Quarter

by Bobbie Louise Hawkins 

Dale Herd telephoned me.

“I was just walking down the street and I found a quarter on the sidewalk.”

“Good for you.”

“Then when I went to pick it up it was epoxied to the cement.”

“Hell.”

“What I really hated about it was I knew the son-of-a-bitch was somewhere watching me. So I went looking for a good rock and I came back and I knocked the quarter off the sidewalk.”

“Spoiled his game.”

“Yeah, it would cost him another quarter to keep it up. So then I had this quarter and I wanted to do something with it and I decided to telephone you with it and tell you.”

“I’m glad I was home.”

The funny thing about this story is that I happened to be talking to Dale Herd, and he told me that this event never actually occurred; instead Bobbie invented it, perhaps as a joke.

Notes

Anderson, Sherwood. Winesburg, Ohio: Text and Criticism. Edited by John H. Ferres, Viking Press, 1966. pp. 13-14.

Hawkins, Bobbie Louise. “Dale Herd’s Found Quarter.” My Own Alphabet: Stories Essays and Memoirs, Coffee House Press, 1989, p. 119.

–“Interview/Discussion with Bobbie Louise Hawkins.” Selected Prose of Bobbie Louise Hawkins, edited by Barbara Henning, BlazeVox Press, 2012. The Interview is also available on Belladonna Website, 2012,

http://www.belladonnaseries.org/wp-content/uploads/2014/04/bobbie_louise_hawkins.pdf