Savory & Sweet: A Food-themed Poetry and Short Form Workshop

with Tina Barry

savory and sweet food themed poetry workshop

March 19, 2025
4 weeks

Original price was: $345.00.Current price is: $295.00.

Original price was: $345.00.Current price is: $295.00.Enroll Now

Poets and writers of short prose have used food as a jumping-off point to plumb everything from childhood memories to identity to love and all its complications. With its beauty, sensory richness, and endless associations, food can be a metaphor for anything.

In this generative workshop, we’ll gather all the ingredients needed to move us out of the kitchen and into writing that reveals deeper truths about ourselves and the world around us. I’ll help you not only access your memories around the table, at the food truck, and on the picnic blanket, but help you give voice to the emotions tied to those experiences and how they’ve come to define who you are.

We’ll explore examples from contemporary poetry and prose, analyzing how writers use food to enhance meaning, and how they transform their experiences around food into compelling narratives. We’ll read the works of Dorianne Laux, William Carlos Williams, Natalie Diaz, Sharon Olds, and even comedians such as Rick Moranis and others.

You’ll receive feedback on your writing from fellow workshop members, and I’ll offer you detailed feedback on content and ideas for revision. You will be encouraged to post at least one revision of each piece for further development.

When the workshop concludes, you will have four drafts that just need a little seasoning to complete.

Who the class is for

Savory & Sweet is for students who have some creative writing experience, but is open to anyone who wants to take food off the plate and into poetic form.

Learning and Writing Goals

Learning Goals

  • Understand and utilize craft elements such as sound, repetition, line breaks, alliteration and assonance to create poems and short fiction.
  • How to analyze your first drafts to find the “why” or emotional center, and learn ways to bring that center into focus in future drafts.
  • Discover new ways to experiment and play by employing unexpected forms such as shopping lists, recipes, menus, inscriptions in cookbooks, and food reviews.

Writing Goals

  • Develop four drafts of new poems and/or short fiction.
  • Complete one revision of each draft. 

Weekly Syllabus

Week One: Love at the Table, Love in the Fields

“When the blackberries hang/swollen in the woods, in the brambles/nobody owns,…”

     “August,” Mary Oliver

From the waitress at Wendy’s to the mother at her Sunday stove simmering “sauce,” from fields of berries to orange groves heavy with fruit, we’ll write poems that celebrate what feeds us.

Week Two: Praising Our Favorites

“Onion/luminous flask,/your beauty formed/petal by petal,…”

     “Ode to the Onion,” Pablo Neruda

We’ll study the classic ode form as well as modern odes of desire, obsession, and longing to write praises to that perfect onion, or berry or slice of pie.

Week Three: Five-star Steakhouse or Maybe McDonald’s at 3 a.m.   

“I feel sorry for you, it seemed to say,/eating alone in this awful restaurant/bathed in such unkindly light/and surrounded by these dreadful murals of Sicily.”

     “The Fish,” Billy Collins

Do you need more than Collins’ lines to conjure up the kind of restaurant that would make a dead fish feel sorry for the diner? No. With the right details in place, the reader can not only see where you’ve eaten but what you’ve eaten, and whether you’ll stay for dessert.

Week Four: Shape Shifting

“The Recipe for hot water cornbread is simple:/Cornmeal, hot water. Mix till sluggish/then dollop in a sizzling skillet.”

     “When the Burning Begins,” Patricia Smith

We’ll play with poems that reference menus, recipes, shopping lists and food reviews.

Original price was: $345.00.Current price is: $295.00.Enroll Now

Course type:

Student Feedback for Tina Barry:

Tina Barry is an outstanding teacher who is always responsive and supportive. Throughout the course she helped us grow as writers through suggestions and comments that conveyed respect and care. Kathleen Thomas

Tina is wonderful at giving very detailed feedback to us as soon as we posted our work. Her input on my writing was very helpful. Lori McDonald

I enjoyed this writing experience and I especially was pleased about how much I learned about writing everyday poetry. I now have a new appreciation and interest in poetry. I plan to continue to write poems as new hobby. Sharon Morrison

I’ve taken several online courses with Tina Barry, and she is by far one of the best poetry teachers I’ve had—online or elsewhere. The assigned readings for each lesson were stimulating and varied, and her prompts inspired some of my best poems. She was quick to respond with insightful, clarifying and concise edits and comments – her ability to read the poems on many levels deepened my understanding of my own work. She has an exquisite ear for language and the musicality of a line, and craft-wise, her thoughtful feedback not only helped me to improve the poems I submitted to the workshop but also carried over to the way I continue to write and re-write my poems. Elizabeth Burk

A+ Again! Tina’s classes always inspire poems for me… she’s one of my favorite all-time teachers. Susan Vespoli

Tina’s prompts yielded results I never could have imagined. One of the poems I wrote has inspired me to grow the piece into a chapbook. This never would have happened were I not in this class. Tina’s feedback was thoughtful and she always provided concrete next steps for us to further develop our work. She challenged us with the feedback, but always in a constructive and supportive way. Debbie Feit

Excellent. Tina gave consistently thoughtful feedback – on various aspects of the poems, from structure to tempo to content – and was able to meet each writer where they are which is crucial, I feel. As a beginner I felt encouraged but also nudged to consider things I hadn’t before. Anne Samulevicius

Tina did an excellent job of both helping us generate ideas and providing feedback. The feedback by the teacher and students helped me improve my poems in surprising and interesting ways. I found it helpful to hear what was striking or moving in the poem, or what was confusing. The prompts were helpful in generating new ideas for poems as well! Pat LaDouceur

I had an enriching experience these past four weeks. The other participants were excellent writers, willing to comment, and share ideas. Tina, of course, had excellent suggestions all of which I’ve already incorporated into the pieces written during the course. I was able to overcome a months-long dry spell, suddenly writing about minutia I might otherwise have overlooked. It certainly feels great to break through my writer’s block. My fingers are flying over the keyboard and scribbling with pen in my journal. Thanks again to Tina and Writer’s.com for making this hot, COVID-filled summer productive and enjoyable. Sharon Thompson

Tina Barry excels to the highest level. Her lessons and assignments are always engaging and thought-provoking. Tina creates an atmosphere that inspires and encourages all of us to be both daring and focused. I have been in several of Tina’s workshops; in each one my writing and commitment to writing has deepened from her guidance, support and respect for me and all participants. Kathleen Thomas

My experience was great! The group was very engaging. Tina was exceptional. Crystal Manboard

Tina’s suggestions to all the participants was respectful and helpful. I feel like I know her now! The alternate prompts she offered for each lesson helped me find the inspiration to begin that writing assignment. Charlotte Randolph

Too many workshops are led by poets who know how to publish, but cannot teach or lead. Tina Barry does all of the above brilliantly, giving lesser beings hope that their words matter, because they matter so much to her. She refuses to be boring, and presses you—no, dares you—not to be either. Pamela Brown

A workshop with Tina Barry has always been a memorable and valuable investment in my writing life. The depth of Tina’s preparation is evident from the start. Throughout the workshops, Tina stays in contact with every participant with excellent and challenging critiques and comments. I have never been disappointed. CR Green

What makes Tina stands out as a teacher, my teacher last year, is her capacity to combine deep knowledge of form, craft, and an eye for pointing to what may make your poems better. During the class I took with her, I benefited as much by the keen comments she offered to the other students, as her comments on my poems. It was an education in itself. Her commitment to her students is as deep as her commitment to teaching excellence. Tina is an avid listener to your words, respecting and pushing you to your best work. Juan Mobili

I have taken several classes from Tina Barry and found them stimulating and exciting. They are of the highest caliber, for she encourages us to look at new ways of writing, examining ourselves and translating thoughts into poetry. I have saved her lessons, which have encouraged me to continue my quest for becoming a better poet and writer. Her comments have always been thorough, considerate, encouraging and complete. I continue to seek her out because of her expertise. Elizabeth Kirkpatrick-Vrenios, Professor Emerita, American University

I enjoyed Tina’s classes and found that her excellent insights and group leadership skills combined to give me new themes and knowledge for writing. She is always available for an immediate response to students’ questions and observations. I really like her flexibility in encouraging independent, differing writing styles. Karen Waldron

March 19, 2025
4 weeks

Original price was: $345.00.Current price is: $295.00.

Early Bird! Enroll now & save 15% until February 17

Original price was: $345.00.Current price is: $295.00.Enroll Now

About

Tina Barry is the author of I Tell Henrietta (Aim Higher, Inc., 2024), Beautiful Raft and Mall Flower (Big Table Publishing, 2019, 2016). She was a restaurant critic for the Brooklyn Paper from 2001-2008, and wrote food and relationship stories for the NY Daily News, Time Out NY, The Sun, and other publications, Her poetry and short fiction can be found in Rattle, Verse Daily, ONE ART: a journal of poetry, SWWIM, Gyroscope, The Best Small Fictions 2020 (spotlighted story) and 2016, and elsewhere. Tina’s has five Pushcart Prize nominations, and several Best of the Net and Best Microfiction nods. She teaches at The Poetry Barn and Writers.com.