Get a good start on a novel in just ten weeks, or revise a novel you’ve already written. Free your imagination, move steadily ahead and count the pages!

Learn how to draw inspiration and material from your life experiences or those of people you know, or want to know, to craft compelling, publishable memoirs, personal essays, autobiographical novels and short stories, and/or narrative poetry.

Over eight weeks, you’ll develop a solid basis in the fictional elements—protagonist, setting, secondary characters, point of view, plot, and theme—while you develop the outline of your novel. You’ll receive feedback at all stages from your fellow writers and your instructor.

Picture books have changed greatly over the last few decades, and the market is wide open for fresh ideas. Join us in this six-week intensive where we’ll take that idea of yours and turn it into a manuscript!

Many students have attended this 10-week online fiction workshop with Shelley Singer multiple times, completed novels, and come back to finish more books.

Bring your characters to life in this in-depth character development class with Gloria Kempton.

Ensure a strong middle throughline for any story. Say goodbye to the “mushy middle,” and hello to stories that work.

In this course, you’ll work with the basic elements of fiction–the fundamentals that drive the story and determine the quality of the work.

Set your novel up for success! In this six-week workshop, instructor Dennis Foley will help you craft a plan to handle the essential demands and choices you’ll face as you write your novel.

Learn the basics of fiction writing and submit weekly writing for feedback from Shelley Singer, author of 13 novels. It’s time to start.

It’s an age-old art form—storytelling—and you can learn the craft.

Even if you’ve never written poetry before, you can begin the rewarding process of crafting a poetry novel for Young Adults. Is there a market for novels written in verse? Are they well received? Yes, there is, and yes, they are!

So now that you have your opening novel pages, what next? Get detailed, constructive feedback on your work-in-progress, wherever you’re at in writing it.

Write tiny fictions while experimenting with 3rd person point of view and analyzing how that point of view affects the craft of fiction writing. With Barbara Henning.

The premise line is the only reliable tool that can tell you, BEFORE you start writing, whether or not your story will “work.” In this class participants will learn how to master the process of premise line development—the essential first step in any book or screenplay’s development process.

Write tiny fictions while experimenting with 1st person point of view and analyzing how that point of view affects the craft of fiction writing.

Gather material through writing and experimenting with journaling, researching and taking notes to develop into poems or prose works.