Finding Freedom in Traditional Poetic Forms: Haibun, Sonnet, Ghazal, and Pantoum

with John Sibley Williams

Finding Freedom in Traditional Poetic Forms

January 28, 2026
Length: 4 Weeks
Open to AllText and Live Video

Zoom calls Wednesdays 6-8PM Eastern

Original price was: $345.00.Current price is: $295.00.

Click the Enroll Now button below, enter your details on the Checkout page,
and reserve your spot in the course.

Original price was: $345.00.Current price is: $295.00.Enroll Now

Reserve your spot and secure early bird pricing

In the words of Mark Strand and Eavan Boland, “Forms are not locks, but keys. They don’t just open doors; they can start a journey and ultimately determine where you land.”

A poem can contain many elements to give it structure. Rhyme, meter, sound, repetition, experimentation, and so many others connect us to poetry’s deep lineage—its long tradition of rhythm, pattern, and invention that continues to evolve across generations. And there are so many profound reasons why traditional forms have survived the centuries, inspiring new poets and adapting to modern voices.

In this intensive four-week workshop, we’ll explore the many facets of the haibun, sonnet, ghazal, and pantoum, examining how sound, rhythm, and structure shape meaning. Each week, you’ll study celebrated examples of the form, participate in guided discussions, and write your own original poems in response. Through lessons, in-class writing, and peer sharing, you’ll gain confidence in navigating formal techniques while discovering the freedom that emerges from working within—and sometimes breaking—the rules.

By the end of the course, you’ll have a small portfolio of new and revised poems, a deeper appreciation for poetic form, and a renewed sense of how structure can serve as both guide and gateway to creative discovery.

Who This Course is For

For poets of all levels and experience. Poets need not be previously familiar with these forms to participate.

Learning and Writing Goals

Learning Goals

  • Introduce the conventions of the haibun, sonnet, ghazal, and pantoum forms and how these rules can support your own themes, experiences, and ideas
  • Study sample poems in each structure from a variety of both older and contemporary poets
  • Introduce a number of strategies to get into a traditional poetry writing ‘headspace’
  • Recognize the unexpected creative freedom inherent to writing in controlled structures, as they force poets to employ strategies that might be new to them
  • Equip you with creative techniques to generate initial ideas and images
  • Develop your ability to shape your initial ideas into strong drafts

Writing Goals

  • Perform a variety of prompt-based writing activities each session.
  • Draft multiple first drafts each session
  • Learn how to tailor your poetic voice to various unique structures

Zoom Schedule

We will meet on Zoom each week on Wednesdays from 6-8PM Eastern.

Weekly Syllabus

Week 1: Haibun

An unusual combination of prose poem and haiku, the haibun was popularized by the 17th century Japanese poet Matsuo Basho. Both the prose poem and haiku typically communicate with each other, though poets employ different strategies for this communication—some doing so subtly, while others are more direct. This interactive workshop will include lessons, analysis of well-known haibun, in-class activities and writing, and sharing drafts with the class.

Week 2: Sonnet

The sonnet is a popular classical form that has compelled poets for centuries. In this discussion and writing-intensive workshop, we will explore the many facets of the sonnet form, focusing on our personal relationships with sound and rhythm and refining our relationships with form and content. We will learn the rules, yes, and when best to break them, fostering a new understanding of and appreciation for this unique poetic approach.

Week 3: Ghazal

The ghazal is unlike any form you’ve probably written before. Let’s set aside our expectations of how a poem works and embrace what Hashmi has noted “ceaselessly hungers for the absent beloved.” In this discussion and writing-intensive workshop, we will explore the many facets of the ghazal form, focusing on our personal relationships with sound and rhythm and refining our relationships with form and content. We will learn the rules, yes, and when best to break them, fostering a new understanding of and appreciation for this unique poetic approach.

Week 4: Pantoum

A pantoum is an incantation, a chain of sounds and ideas that shift with each encounter. In this discussion and writing-intensive workshop, we will explore the many facets of the pantoum form, focusing on our personal relationships with sound and rhythm and refining our relationships with form and content. We will learn the rules, yes, and when best to break them, fostering a new understanding of and appreciation for this unique poetic approach.

Click the Enroll Now button below, enter your details on the Checkout page,
and reserve your spot in the course.

Original price was: $345.00.Current price is: $295.00.Enroll Now

Reserve your spot and secure early bird pricing

Student Feedback for John Sibley Williams:

January 28, 2026
Length: 4 Weeks
Open to AllText and Live Video

Zoom calls Wednesdays 6-8PM Eastern

Original price was: $345.00.Current price is: $295.00.

Click the Enroll Now button below, enter your details on the Checkout page,
and reserve your spot in the course.

Original price was: $345.00.Current price is: $295.00.Enroll Now

Reserve your spot and secure early bird pricing

About

John Sibley Williams is the author of nine poetry collections, including Scale Model of a Country at Dawn (Cider Press Review Poetry Award), The Drowning House (Elixir Press Poetry Award), As One Fire Consumes Another (Orison Poetry Prize), Skin Memory (Backwaters Prize, University of Nebraska Press), skycrape (WaterSedge Poetry Chapbook Contest), and Summon (JuxtaProse Chapbook Prize). His book Sky Burial: New & Selected Poems is forthcoming in translation from by the Portuguese press do lado esquerdo. A thirty-five-time Pushcart nominee, John serves as editor of The Inflectionist Review, Poetry Editor at Kelson Books, and founder of the Caesura Poetry Workshop series. Previous publishing credits include Best American Poetry, Yale Review, Verse Daily, North American Review, Prairie Schooner, and TriQuarterly.