$155 | 3 Weeks
No matter what length of narrative you compose, you can strategically use this indispensable technique of alternating moments of Micro-obstacles with moments of Flow to vitalize your fiction. Discover a myriad of uses and combinations for these two modes: foreshadowing, generating hunger for info-dumps, fostering irony and humor, empathy with characters, pressurizing characters leading to uncharacteristic behavior, and more. (3 weeks.)
Focusing on major plot points, some authors forget to include little problems that create contraction, tightness, and irritation. Those annoying tension-creating events (Micro-obstacles) build up characters’ frustration pressure. The characters can’t help but release that steam during a resultant moment of Flow such as in an outburst of uncharacteristic honesty.
Ever wonder how to reveal facts without a tedious info-dump? Well, here’s how: lead up to relaying facts with multiple Micro-obstacles to the information exchange. When characters finally learn or explain, the news will matter more to them and the audience.
So, after Micro-obstacles lead to unbalanced Flow, that almost results in a major conflict. In this class, you’ll study varied effects of Micro-obstacles at strategic times, in appropriate genres, for the correct characters. If you haven’t noticed this pattern before, you might be surprised how commonly writers use this tactic, and what opportunities you’re missing if you don’t.
You aren’t required to screen the movies and TV shows analyzed in the lectures, as the text describes the system of the two types of pacing. But you’re welcome to stream the shows, all of which can be found online, perhaps requiring a purchase of a few dollars. In addition, prose passages, flash, short stories, and novels provide additional insight into how and when to apply the alternation of the two modes. Apply your new knowledge with weekly exercises to sharpen your skills.
Read the lecture featuring examples from Halt and Catch Fire. Watch episodes if desired.
Take the quiz.
Submit the exercise for feedback – a passage in which Micro-obstacles facilitate an entertaining relay of information that avoids tedious info-dumps.
Read the lecture featuring Fire Walk with Me. Watch the movie if desired.
Take the quiz.
Submit the exercise for feedback– a romantic scene which begins with Micro-obstacles and ends with Flow.
Read the lecture featuring The Shining. Watch the movie if desired.
Take the quiz.
Do the exercise for feedback–a Flow flash fiction about accepting an offer too good to be true.
Learn more about how our courses work here, and contact us with any other questions.
Rosemary is the real thing. She is experienced and knowledgable, tough and fair, thorough and completely supportive. It's clear that she understood what I was trying to do; she supported that. Anne Hodges White
I love Rosemary. Her feedback was generous and helpful. I thought the lectures were the best so far on Writers.com. There are a few classes I'm looking forward to taking. I really like working with Rosemary, she's wonderful. Laura Secor
Rosemary's feedback was prompt, copious and direct. She was very honest with her comments without being harsh or negative. Her enthusiasm was contagious and she continuously pushed me to grow and get better. I was also blown away by the breadth and depth of the lectures and associated learning material. Rosemary's resources will offer me months if not years of further study. Marcus Hilgers
I was thrilled with my first course with Writers.com and with my instructor, Rosemary Bensko. This was a way for me to begin writing regularly with support and feedback and I learned so much more than I had anticipated. Rosemary is a wealth of knowledge and experience, and gives generous, positive feedback that is also direct and useful. I wanted to grow my skills and I felt like I did. I was so happy that I started another course the very next week! Julie Gibbs
Rosemary is brilliant, engaged, gives both inline and general feedback and even includes audio feedback for tackling certain problems in your writing. I learned where my writing belongs and in what genre I was able to write. Rosemary is an inspiring teacher; I’ll be delighted to take another of her classes. Sophie Cayeux
Rosemary taught me so much about using muscular language and avoiding expository narratives. The lectures were amazing. I read them all the time. Benjamin Magie
Rosemary was wonderful. Always encouraging, very kind in feedback but always pushing you on to make the draft better. It’s hard to achieve that balance. I really liked the way she recorded the feedback so that it felt more personal. I liked the Haiku Learning website she used too. There was plenty of choice of assignment and they were interesting and challenging. Everything was useful in moving us to the goal of getting our story/stories finished. I thought the notes given were especially interesting and generous and although I am a compulsory buyer of books on writing, there was much that was new or better explained (loved the information on different types of short story - some of which I hadn’t come across; and the discussion of different ways of developing the plot was very useful to me.) I ended up with what I wanted from the course - a goodish draft of a story. I see so many more classes I’d like to do! Sharon Bakar
I loved this class. And Rosemary. I feel that I have made a transition (finally) with her and might actually have the confidence to really begin to write seriously . She is honest, constructive and has really help build my confidence. I am away at the moment but will be in touch re private classes with her. I will be interested in any class she is doing! Jeanette del Olmo
Rosemary presented her critiques in a positive light but made relevant and helpful comments. I often took a step away after reading her response to my work and then came back to revise. Each time, I felt that the changes I made improved the quality of the piece. I emailed Rosemary several times with questions, and she was quick to respond. I would not hesitate to take another class from her. I felt the lectures were stimulating and the assignments were challenging. Both forced me to engage and push myself to another level. I have recommended your site to others and hope to continue taking classes from writers.com. Janis Brams
Have you always wanted to write the perfect story? Explore your inner visions and commit them to paper? Be prepared, Rosemary Bensko will set you on fire...as a teacher she has the unique gift to be able to identify within you your innate spark of creativity and ignite the ether of your imagination, to reveal to you the magic of your words. She is that good. As a writer I can testify to the value of working with Rosemary. Growing up I have always enjoyed words. I love to spin them around, phrasing moments in time, to make them clear and born anew. And when I took her class, Rosemary got that right away and encouraged me to play with the tools of language, providing me resources to help stretch my imagination. With her tutorship, I was able to refine my writing skills while retaining the desire to honor that which flows from the heart. That is a very good thing. I wholeheartedly recommend you take this class and allow Rosemary to help you to bring your writing up to the next level... Paul Barnett
Thanks for the class. I downloaded all the lectures. I feel like MicroObstacles and Flow is a great technique. It is taking me time and thought to process... I want to really be able to apply this to my own fiction/works, so I will probably take the class again once I get more of a handle on the technique... I have taken several classes from Rosemary. I have tried to put all of her feedback into practice. My writing (and reading and viewing) craft have improved with every class. One of my pieces that I workshopped in Rosemary's classes has been published. I just feel so grateful for her mentorship and turning me on to Writers.com!... Chris Perkins