Over eight weeks, you’ll develop a solid basis in the fictional elements—protagonist, setting, secondary characters, point of view, plot, and theme—while you develop the outline of your novel. You’ll receive feedback at all stages from your fellow writers and your instructor.
Write tiny fictions while experimenting with 3rd person point of view and analyzing how that point of view affects the craft of fiction writing. With Barbara Henning.
Write tiny fictions while experimenting with 1st person point of view and analyzing how that point of view affects the craft of fiction writing.
Write the entire first draft of a novella-length story, with plenty of feedback from stage to stage, and finish with a plan for revising toward a publishable manuscript.
Learn the basics of fiction writing and submit weekly writing for feedback from Shelley Singer, author of 13 novels. It’s time to start.
Author Sarah Aronson leads this intermediate/advanced workshop on writing for children. It offers support, structure and detailed feedback on manuscripts.
Learn how to draw inspiration and material from your life experiences or those of people you know, or want to know, to craft compelling, publishable memoirs, personal essays, autobiographical novels and short stories, and/or narrative poetry.
Inject suspense into your stories to keep readers turning pages. For writers of all kinds of fiction: thrillers, mysteries, romance, humor, literary and memoir. A four week class with Giulietta Nardone.
Voice: What is it and how do you find yours? Instructor Gloria Kempton offers feedback on assignments in this 3-week online class.
You’ll write prose that gets folks so hot and bothered they won’t be able to put it down, even if it isn’t about sex.