February 7, 2018
10 Weeks | $360
Write Your Novel !
If you want to get a good draft of a novel going in just ten weeks, or revise a novel you’ve already written, you’ll benefit from taking this course. Give your imagination free rein. Move steadily ahead and count the pages!
During the ten weeks of this class, you’ll read a few novels, learn or restudy the basics, and write your own first draft or revised draft of a novel. Plan on submitting up to 3,000 words each week. You won’t finish a novel in ten weeks but you can write half of a short novel and finish it by taking the class again or on your own.
You should focus on character and story, but each week you’ll be asked to think about another element of fiction as it relates to your novel-in-progress. If you want to go back and make changes, that’s fine, but the main thing is to stay up as much as possible in order to complete as much of a rough draft as possible in the time allowed. You can always make changes later.
Built into the course is the final assignment on revision strategies. Most novelists do more than one revision, so even if you’re intending to take the class to revise a novel you’ve written, you’ll probably need to do more revision.
This is a highly interactive class: you’ll receive feedback at all stages from your fellow writers and your instructor.
Open to beginning as well as advanced writers.
Week One: Getting started
Start with a primer on the basic elements of fiction and the process of writing fiction. Write a preliminary outline for your novel. Think in terms of the five-stage plot structure.
Week Two: Your first 3,000 words
Knock out 500 words a day (or revise an existing novel) with your focus on character and story. Keep your eye out for conflict—for complication and rising action.
Week Three: Your second 3,000 words
Keep going with your story. Think about making your protagonist more complex. As you do, your story might make an unexpected turn.
Week Four: Your third 3,000 words
Watch for ways to make secondary characters—supporting characters and your antagonist (if you have one)—more interesting.
Week Five: Your fourth 3,000 words
Heighten the tension. Has your protagonist overcome an obstacle? Look for a rug-pulling or reversal. It may occur in later pages. Don’t force anything. Focus on the difference between narrative summary and narrative scene.
Week Six: Your fifth 3,000 words
Keep going. Focus on scenes with dialogue of two types: dialogue and minimal action (dramatic point of view); dialogue with interspersed action, description, and character thoughts (one character’s point of view).
Week Seven: Your sixth 3,000 words
Focus on good prose: exposition and description (of setting as well as character). (Note: if you’re working on the second half of your novel, keep in mind the climax of the 5-stage plot structure. It may occur soon.)
Week Eight: Your seventh 3,000 words
Now focus on voice. Do you like the voice so far? What would it take to make it more interesting? Is it the prose itself? What about the scenes—the dialogue? Is it something about the protagonist? (Note: if you’re working on the second half of your novel, keep in mind the falling action of the five-stage plot structure.)
Week Nine: Your eighth 3,000 words
Focus again on plot. Has your protagonist overcome an obstacle? Look for a reversal, but again don’t force anything. Look for ways to foreshadow future plot developments and/or echo previous ones. Don’t engineer anything. Subtlety is the key. (Note: if you’re working on the second half of your novel, keep in mind the resolution.)
Week Ten: Develop revision plans for your completed half.
Jack was very encouraging and provided me with helpful feedback. His comments are friendly but also critical, which is important with writing, as too many compliments and not enough critical opinions aren't helpful. The class content was engaging. I've already recommended the class to a friend and will continue to do so. And I'm taking another class at the moment. I've been very happy with my experience. Shay Meinecke
I found the earlier exercises extremely helpful and came away feeling encouraged about my novel idea and excited to continue working on it. [Jack Smith] was accessible and encouraging and gave excellent feedback. I would take another of his classes, perhaps when I am farther along with my project and looking for structure and feedback. I just want to say again how much I appreciated the teacher's attentive and individualized feedback and encouragement. This was my first fiction-writing experience, and it felt like a risk. I was in good hands with Jack. Elizabeth Hawkins
Jack is a fantastic teacher. He is infinitely patient, doesn't take anything personally, and he is supportive without relinquishing his desire to provide us with detailed, specific, constructive criticism. I of course worked with him longer later and was very impressed with his ability to refrain from taking offense when I did not use one of his suggestions, but simply anticipate why I might be hesitant to do so and offer a solution that could satisfy the need I had which prevented me from making changes to the text to begin with. In other words, he is humble, smart, and flexible; even wise, and that is not a word I use lightly.
He seems to find the balance between allowing students their own style and self-expression while correcting everything that needs to be corrected. Finally, I really appreciated in Jack his sense of humor, which is subtle and compassionate. His way of constructing a class and giving feedback allows students to feel encouraged and supported even when he is busy with correcting our text and way of working so we may become better writers. He just kept on making suggestions patiently on where and how I could use an image to help my scene, so that without even noticing, I acquired a good habit and will never again NOT think of using more visuals with descriptions. Same goes for using action instead of telling, or avoiding clichés. I hope you will use Jack for more classes in the future, he is truly a gifted teacher.
Thank you for creating and leading the best online writing website I have tried (and I have tried several). Marcella Agh
I enjoyed [the novella class]. I also really enjoyed the suggested reading. I realized the first week I wasn’t quite prepared. Jack’s suggestion to beef up my outline was the best advice I could have received. It wasn’t easy writing those 3000 words a week, but at least I didn’t have to think “what” I needed to write about. With the outline, it came fairly easy.
As for Jack ... I thought he was personable, but with just the right amount of “removed” to make a good reviewer. In my case, he pointed out things I didn’t even think about and he was very supportive. He focused mostly on concept, and in a first draft, I believe this is critical. I have recommended you to other people. I am glad you are there for me. Anne Jennings
I found the lessons and the assignments to be inspiring and challenging.Jack gave helpful and encouraging feedback. He is a well read and accomplished writer, so his critique and input was astute. I think your offerings are fantastic. There is something for everyone, IMO. As a beginning writer, it's also nice that the classes all seem to be geared towards all levels. I can already see that you get what you put in with the classes, and that's ideal. I would definitely recommend your classes. I immediately enrolled in another class, so yes, I will probably keep taking classes with your site! Debra Barclay
[Jack] consistently provided detailed, thoughtful and helpful feedback. I’ve taken many courses with Writers.com so my repeated presence says more than any words I can add. Shawn Montgomery